NCERT Solutions for Class 12 Kaleidoscope Poetry Chapter 3 Poems By Blake

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NCERT Solutions for Class 12 Kaleidoscope Poetry Chapter 3 Poems By Blake are provided in this article with the download link. This chapter basically includes two poems by William Blake, who belongs to the romantic era of literature and is famous for his poetry collection called- “Songs Of Innocence and Of Experienced”. Those poems are- “The Divine Image” and “The Human Abstract”, which are also a part of that collection too.

Download: NCERT Solutions for Class 12 English Poetry Chapter 3 Poems by Blake PDF

NCERT Solutions For Class 12 English Kaleidoscope Chapter 3


Poems By Blake Summary

This chapter includes two poems by William Blake- “The Divine Image” and “The Human Abstract”. We will discuss these two poems separately.

The Divine Image Summary

This Poem includes five stanzas with twenty lines in total. In this poem, William Blake personifies the basic human virtues like- Mercy, Pity, and Love. It is written in the form of a Ballad that follows the ABCB rhyming pattern.

  • In the first stanza, the poet tried to establish a relationship between divinity and humanity.
  • Whereas the second stanza initiates a link between God and human beings.
  • In the third stanza, the poet explained each virtue separately. Blake also portrayed how these virtues are related to humankind.
  • Finally, in the last stanza, the poet describes how those virtues need to be cherished by humankind.

The Human Abstract Summary 

This poem has six stanzas and four lines in every stanza. It is the basic characteristic of Blake’s “Songs Of Innocence and Of Experience” that he wrote two poems related to one basic theme but while one is from the point of view of an innocent mind, the other one is from the point of view of an experienced mind.

  • This poem is the counterpart of the poem ‘ The Divine Image.
  • Here, the poet tried to explain how those virtues- pity, mercy, and happiness can not be there if there was no poverty, misery, and unhappiness.
  • Blake also tried to recreate the idea of the Tree Of Life that is fashioned by human reason to give false ideas about these virtues.
  • The poet concludes this poem by stating that eventually all the virtues will be lost someday and only reality will carry their misery.

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CBSE CLASS XII Related Questions

  • 1.
    Why did Margayya refuse to part with his purse?


      • 2.
        What is the contrast between the vitality of the swans and the decline of human life?


          • 3.
            Read the extract given below and answer the questions that follow:
            What needs my Shakespear for his honour’d Bones,
            The labour of an age in piled Stones,
            Or that his hallow’d reliques should be hid
            Under a Star-ypointing Pyramid?
            Dear son of memory, great heir of Fame,
            What need’st thou such weak witness of thy name?
            Thou in our wonder and astonishment
            Hast built thy self a live-long Monument.
            (On Shakespear. 1630)


              • 4.
                Read the passage given below and answer the questions that follow:
                • On the first clear September day, towards the end of the rains, I visited the pine knoll, my place of peace and power.
                • It was months since I’d last been there. Trips to the plains, a crisis in my affairs, involvements with other people and their troubles, and an entire monsoon had come between me and the grassy, pine-topped slope facing the Hill of Fairies (Pari Tibba to the locals). Now I tramped through late monsoon foliage — tall ferns, bushes festooned with flowering convolvulus — and crossed the stream by way of its little bridge of stones before climbing the steep hill to the pine slope.
                • When the trees saw me, they made as if to turn in my direction. A puff of wind came across the valley from the distant snows. A long-tailed blue magpie took alarm and flew noisily out of an oak tree. The cicadas were suddenly silent. But the trees remembered me. They bowed gently in the breeze and beckoned me nearer, welcoming me home. Three pines, a straggling oak and a wild cherry. I went among them and acknowledged their welcome with a touch of my hand against their trunks — the cherry’s smooth and polished; the pine’s patterned and whorled; the oak’s rough, gnarled, full of experience. He’d been there the longest, and the wind had bent his upper branches and twisted a few, so that he looked shaggy and undistinguished. But like the philosopher who is careless about his dress and appearance, the oak has secrets, a hidden wisdom. He has learnt the art of survival!
                • While the oak and the pines are older than me and have been here many years, the cherry tree is exactly seven years old. I know, because I planted it.
                • One day I had this cherry seed in my hand, and on an impulse I thrust it into the soft earth, and then went away and forgot all about it. A few months later I found a tiny cherry tree in the long grass. I did not expect it to survive. But the following year it was two feet tall. And then some goats ate its leaves, and a grass cutter’s scythe injured the stem, and I was sure it would wither away. But it renewed itself, sprang up even faster; and within three years it was a healthy, growing tree, about five feet tall.
                • I left the hills for two years — forced by circumstances to make a living in the city — but this time I did not forget the cherry tree. I thought about it fairly often, sent telepathic messages of encouragement in its direction. And when, a couple of years ago, I returned in the autumn, my heart did a somersault when I found my tree sprinkled with pale pink blossom. (The Himalayan cherry flowers in November.) And later, when the fruit was ripe, the tree was visited by finches, tits, bulbuls and other small birds, all come to feast on the sour, red cherries.
                • Last summer I spent a night on the pine knoll, sleeping on the grass beneath the cherry tree. I lay awake for hours, listening to the chatter of the stream and the occasional tonk-tonk of nightjars, and watching through the branches overhead, the stars turning in the sky. And I felt the power of the sky and the earth, and the power of a small cherry seed...
                • And so when the rains are over, this is where I come, that I might feel the peace and power of this place.
                • This is where I will write my stories. I can see everything from here — my cottage across the valley; behind and above me, the town and the bazaar, straddling the ridge; to the left, the high mountains and the twisting road to the source of the great river; below me, the little stream and the path to the village; ahead, the Hill of Fairies and the fields beyond; the wide valley below, and another range of hills and then the distant plains. I can even see Prem Singh in the garden, putting the mattresses out in the sun.
                • From here he is just a speck on the far hill, but I know it is Prem by the way he stands. A man may have a hundred disguises, but in the end it is his posture that gives him away. Like my grandfather, who was a master of disguise and successfully roamed the bazaars as fruit vendor or basket maker. But we could always recognize him because of his pronounced slouch.
                • Prem Singh doesn’t slouch, but he has this habit of looking up at the sky (regardless of whether it’s cloudy or clear), and at the moment he’s looking at the sky.
                • Eight years with Prem. He was just a sixteen-year-old boy when I first saw him, and now he has a wife and child.
                • I had been in the cottage for just over a year... He stood on the landing outside the kitchen door. A tall boy, dark, with good teeth and brown, deep-set eyes, dressed smartly in white drill — his only change of clothes. Looking for a job. I liked the look of him, but —
                ‘I already have someone working for me,’ I said.
                ‘Yes, sir. He is my uncle.’
                In the hills, everyone is a brother or an uncle.
                ‘You don’t want me to dismiss your uncle ?’
                ‘No, sir. But he says you can find a job for me.’
                ‘I’ll try. I’ll make inquiries. Have you just come from your village ?’
                ‘Yes. Yesterday I walked ten miles to Pauri. There I got a bus.’
                ‘Sit down. Your uncle will make some tea.’
                He sat down on the steps, removed his white keds, wriggled his toes. His feet were both long and broad, large feet but not ugly. He was unusually clean for a hill boy. And taller than most.
                • ‘Your name is ...?’
                ‘Prem Singh.’
                ‘All right, Prem, I will try to do something for you.’
                I did not see him for a couple of weeks. I forgot about finding him a job. But when I met him again, on the road to the bazaar, he told me that he had got a temporary job in the Survey, looking after the surveyor’s tents.
                ‘Next week we will be going to Rajasthan,’ he said.
                ‘It will be very hot. Have you been in the desert before ?’
                ‘No, sir.’
                ‘It is not like the hills. And it is far from home.’
                ‘I know. But I have no choice in the matter.’ Based on your understanding of the passage, answer any twelve out of the fifteen questions given below:


                  • 5.
                    What was the jungle superstition about how the tiger came to have the stripes and whom did he blame for it? Why did the tiger feel helpless in tackling the situation?


                      • 6.
                        In the novel 'A Tiger for Malgudi', why does the tiger say 'crow is a treacherous bird'?

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