By 1784, Wolfgang Amadeus Mozart was Internationally Renowned as the Composer of Marriage of Figaro

Reading Passage Question

By 1784, Wolfgang Amadeus Mozart was internationally renowned as the composer of Marriage of Figaro, and consequently received a commission from the Prague Opera House to compose another opera. The resulting product was Don Giovanni, which tells the tale of a criminal and seducer who nevertheless evokes sympathy from audiences, and whose behavior fluctuates from moral crisis to hilarious escapade.

While Don Giovanni is widely considered to be Mozart's greatest achievement, eighteenth century audiences in Vienna — Mozart's own city— were ambivalent at best. The opera mixed traditions of moralism with those of comedy— a practice heretofore unknown among the composer's works— creating a production that was not well liked by conservative Viennese audiences. Meanwhile, however, Don Giovanni was performed to much fanfare throughout Europe.

“By 1784, Wolfgang Amadeus Mozart was internationally renowned as the composer of Marriage of Figaro”- is a GMAT reading comprehension passage with answers. Candidates need a strong knowledge of English GMAT reading comprehension.

This GMAT Reading Comprehension consists of 7 comprehension questions. The GMAT Reading Comprehension questions are designed for testing candidates’ abilities in understanding, analyzing, and applying information or concepts. Candidates can actively prepare with the help of GMAT Reading Comprehension Practice Questions.

Solution and explanation

  1. The primary purpose of the passage is to

(A) relate the story of a somewhat likable antihero.
(B) discuss how a work of art has been met by diverging responses.
(C) give a history of the work of Mozart.
(D) make a case for the renown of Don Giovanni.
(E) emphasize the moral aspects of a musical work.

Answer: B
Explanation: the primary purpose of the passage is focused around discussing the diverging responses that a work of art has been portrayed with. This work of art was based on the composition of an opera.

  1. The author mentions the mixing of "traditions of moralism with those of comedy" primarily in order to

(A) explain a work's cool reception among a particular group of people.
(B) remind the reader of the plot of Don Giovanni.
(C) highlight a practice common in contemporary opera.
(D) argue for an innovative approach to opera.
(E) undermine a previously presented assertion.

Answer: A
Explanation: the author mentions “traditions of moralism with those of comedy” to imply that a modern version of opera was presented and received by a group of people. It provided a mixed version of traditional moralism with that of a cool version of comedy.

  1. It can be inferred from the passage that which of the following is true about the response of Viennese audiences to Don Giovanni?

(A) The audiences preferred purely moralistic works.
(B) The response was unequivocally positive.
(C) They did not know that the composer was attempting to mix musical styles.
(D) The play's moral themes were offensive to Viennese audiences.
(E) To say that the response was "mixed" would be a generous interpretation.

Answer: E
Explanation: From the passage, it can be inferred that the response of the Viennese audiences to Don Giovanni was mixed. While some considered it to be the best of Mozart's, it was not well liked by conseervative Viennese.

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